The Siyazama women enjoyed both of these creative, unusual, processes a lot, which eventually placed their work in some of the most prestigious design platforms in Europe, in Japan, and in the USA. In New York City, I was thrilled to view both of these forms at the Museum of Art and Design (MAD) in Columbus Circle! The press cover was massive with coverage in numerous publications, such as Ethnic, De Zeen, Svenska Dagbladt, WE Magazine, L Officiel, Madame Figaro (Japan), TimeOut Moscow, LA Times, LA at Home, South African Home & Garden, New York Times, AXIS Japan, and Form in Worldly Things.
I was also lucky to be invited to watch the glass blowing practice at Konstfact Art and Design School in Stockholm, Sweden, in the making of the Story Vases. The process began in Durban, South Africa, with the Siyazama women being interviewed by FRONT. They were asked questions about what they most desire in their lives. The women responded most enthusiastically, to this enquiry, and their verbal responses were printed, and eventually beaded onto a fine wire grid. This 3D grid was posted to Sweden, where the molten glass was dropped into it and the beautiful Story Vases were created.
Ikko and Renee checking the form |
Swirling the molten glass |
Molten glass is blown into beaded shape |
Molten glass dropped into beaded form |
STORY VASES on exhibition in Sweden |
Fully beaded COILED SHAPE |
Fully beaded COILED shapes |
Ikko and Renee making the beaded shapes ready to be filled with molten glass. |
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